La narcogangsterización de la música popular
Palabras clave:
Estética narcogangsta, capitalismo cultural, música
Resumen
La música popular de explícito contenido narcogangster se caracteriza por su violenta expresividad aunada a una estética particular (en el marco de diferentes actuaciones tipificadas). A nivel metodológico este trabajo plantea la caracterización de los principales modos de representación de este fenómeno masivo, a partir de la indagación semiótica de algunos videos de importancia mundial. Los resultados indican que nexos entre el tráfico de drogas, las prácticas de consumo ostentoso, la incitación a la violencia y la dionisiaca idea de dar rienda suelta a los deseos se establecen como telón de fondo a estos discursos sonoro-estéticos. Se discute la comprensión de este proceso en la música popular como una violenta y exitosa tendencia en extensión a nivel mediático.Referencias
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Bogazianos, D.A. (2012). 5 Grams: Crack Cocaine, Rap Music, and the War on Drugs. New York: New York University Press.
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Eagleton, T. (2006). La estética como ideología. Madrid: Trotta.
Edberg, M.C. (2004). El Narcotraficante. Narcocorridos and the Construction of a Cultural Persona on the U.S.-Mexico Border. Austin: University of Texas Press.
Herd, D. (2009). Changing images of violence in Rap music lyrics: 1979 - 1997. Journal of Public Health Policy, 30(4), 395 - 406. Recuperado de https://doi.org/10.1057/jphp.2009.36
Illescas, J.E. (2014). Industrias culturales y juventud en el sistema-mundo. El video clip mainstream como mercancía y como reproductor de ideología. (Tesis doctoral), Universidad de Alicante, Departamento de Sociología II, Alicante, España.
Johnson, B. (2009). Context: The Sound of Music. En Johnson, Bruce y Cloonan, Martin (Eds.). Dark side of the tune: popular music and violence (pp.13-30). Wey Court East, Union Road, Farnham, Surrey-Inglaterra, Ashgate.
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Juslin, P. (2013). From Everyday Emotions to Aesthetic Emotions: Towards a Unified Theory of Musical Emotions. Physics of Life Reviews, 10, 235 - 266. https://doi.org/10.1016/j.plrev.2013.05.008
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Katz, M. (2012). Groove Music: the Art and Culture of the Hip-Hop DJ. New York: Oxford University Press.
LeDoux, J. (1998). The Emotional Brain. The Mysterious Underpinnings of Emotional Life. London: Phoenix.
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Rashotte, R. (2015). Narco Cinema. Sex, Drugs, and Banda Music in Mexico’s B-Filmography. New York: Palgrave Macmillan.
Rifkin, J. (2013). La era del acceso. La revolución de la nueva economía. Barcelona: Paidós.
Scott, J.C. (1976). The moral economy of the peasant: rebellion and subsistence in Southeast Asia. New Haven: Yale University Press.
Sinnreich, A. (2013). The piracy crusade: how the music industry’s war on sharing destroys markets and erodes civil liberties. Amherst-Boston: University of Massachusetts Press.
Spunt, B. (2014). Heroin and Music in New York City. New York: Palgrave Macmillan. https://doi.org/10.1057/9781137314291
Thompson, E.P. (1971). The moral economy of the English crowd in the eighteenth century. Past & Present, (50), 76-136. https://doi.org/10.1093/past/50.1.76
Wald, E. (2001). Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. New York: HarperCollins.
Zajonc, R.B. (2004). The Selected Works of R.B. Zajonc. USA: Wiley.
Zielenziger, M. (1998, abril 19). Juvenile crime jumps to record high in Japan: Pressures on young blamed for increase. The Boston Globe, (p. A16).
Cooke, M. (2012). How to Make Money Selling Drugs. Tribeca Films.
Cosculluela (2014). Santa Cos. White Lion.
Monroig, G. (1995). Rumbo a la rumba. Mamoku.
Bogazianos, D.A. (2012). 5 Grams: Crack Cocaine, Rap Music, and the War on Drugs. New York: New York University Press.
Bok, S. (1999). Violence, Free Speech, and the Media. Perspectives on Crime and Justice, (3), 51-72.
Bourgois, P. (2010). En busca de respeto: vendiendo crack en Harlem. Buenos Aires: Siglo XXI.
Bourgois, P. (2015). Postface. Insecurity, the War on Drugs, and Crimes of the State: Symbolic Violence in the Americas. En Auyero, J., Bourgois, P., y Scheper-Hughes, N. (Eds.). Violence at the urban margins (pp. 305-321). New York: Oxford University Press. Recuperado de https://doi.org/10.1093/acprof:oso/9780190221447.003.0013
Bourgois, P., Montero Castrillo, F., Hart, L., y Karandinos, G. (2013). Habitus furibundo en el gueto estadounidense. Espacio Abierto, 22(2), 201-220.
Brown, S. (2006). Introduction: “How Does Music Work?” Toward a Pragmatics of Musical Communication. En Brown S. y Volgsten, U. (Eds.). Music and Manipulation: On the Social Uses and Social Control of Music (pp. 1-28). New York, London: Berghahn Books.
Brown, S., y Volgsten, U. (Eds.) (2006). Music and Manipulation: On the Social Uses and Social Control of Music. New York, London: Berghahn Books.
Cartmell, D., Hunter, I.Q., Kaye, H. y Whelehan, I. (Eds.) (1996). Pulping Fictions: Consuming Culture Across the Literature/Media Divide. London: Pluto.
Cusick, S.G. (2008). Musicology, Torture, Repair. Radical Musicology, 3. Recuperado de http://www.radicalmusicology.org.uk/2008/Cusick.htm
Eagleton, T. (2006). La estética como ideología. Madrid: Trotta.
Edberg, M.C. (2004). El Narcotraficante. Narcocorridos and the Construction of a Cultural Persona on the U.S.-Mexico Border. Austin: University of Texas Press.
Herd, D. (2009). Changing images of violence in Rap music lyrics: 1979 - 1997. Journal of Public Health Policy, 30(4), 395 - 406. Recuperado de https://doi.org/10.1057/jphp.2009.36
Illescas, J.E. (2014). Industrias culturales y juventud en el sistema-mundo. El video clip mainstream como mercancía y como reproductor de ideología. (Tesis doctoral), Universidad de Alicante, Departamento de Sociología II, Alicante, España.
Johnson, B. (2009). Context: The Sound of Music. En Johnson, Bruce y Cloonan, Martin (Eds.). Dark side of the tune: popular music and violence (pp.13-30). Wey Court East, Union Road, Farnham, Surrey-Inglaterra, Ashgate.
Johnson, B., y Cloonan, M. (2009). Music and Arousal to Violence. En Johnson, B. y Cloonan, M. (Eds.). Dark side of the tune: popular music and violence (pp.123-146). Wey Court East, Union Road, Farnham, Surrey-Inglaterra: Ashgate.
Juslin, P. (2013). From Everyday Emotions to Aesthetic Emotions: Towards a Unified Theory of Musical Emotions. Physics of Life Reviews, 10, 235 - 266. https://doi.org/10.1016/j.plrev.2013.05.008
Kant, I. (1790/2000). Critique of the power of judgement. En Guyer, P. y Matthews, E. Cambridge: Cambridge University Press.
Katz, M. (2012). Groove Music: the Art and Culture of the Hip-Hop DJ. New York: Oxford University Press.
LeDoux, J. (1998). The Emotional Brain. The Mysterious Underpinnings of Emotional Life. London: Phoenix.
Martin, M.W. (2004). Falsa conciencia. En Audi, R. Diccionario de filosofía, (p. 353). Madrid: Akal.
Mingers, J., y Willcocks, L. (2014). An integrative semiotic framework for information systems: The social, personal and material worlds. Information and Organization, 24, 48–70. https://doi.org/10.1016/j.infoandorg.2014.01.002
Rashotte, R. (2015). Narco Cinema. Sex, Drugs, and Banda Music in Mexico’s B-Filmography. New York: Palgrave Macmillan.
Rifkin, J. (2013). La era del acceso. La revolución de la nueva economía. Barcelona: Paidós.
Scott, J.C. (1976). The moral economy of the peasant: rebellion and subsistence in Southeast Asia. New Haven: Yale University Press.
Sinnreich, A. (2013). The piracy crusade: how the music industry’s war on sharing destroys markets and erodes civil liberties. Amherst-Boston: University of Massachusetts Press.
Spunt, B. (2014). Heroin and Music in New York City. New York: Palgrave Macmillan. https://doi.org/10.1057/9781137314291
Thompson, E.P. (1971). The moral economy of the English crowd in the eighteenth century. Past & Present, (50), 76-136. https://doi.org/10.1093/past/50.1.76
Wald, E. (2001). Narcocorrido: A Journey into the Music of Drugs, Guns, and Guerrillas. New York: HarperCollins.
Zajonc, R.B. (2004). The Selected Works of R.B. Zajonc. USA: Wiley.
Zielenziger, M. (1998, abril 19). Juvenile crime jumps to record high in Japan: Pressures on young blamed for increase. The Boston Globe, (p. A16).
Cooke, M. (2012). How to Make Money Selling Drugs. Tribeca Films.
Cosculluela (2014). Santa Cos. White Lion.
Monroig, G. (1995). Rumbo a la rumba. Mamoku.
Publicado
2018-11-02
Cómo citar
Luján Villar, J., & Luján Villar, R. (2018). La narcogangsterización de la música popular. Revista Temas, (12), 203-224. https://doi.org/https://doi.org/10.15332/rt.v0i12.2043
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